What Started the Romantic Movement?
The Romantic Movement was a reaction to the industrial period, how people thought about themselves, and how they thought about their world in general.
They wanted to inject emotions and feelings and passion and mix them within the natural world. Since reason dominated, romantics were people who began to pull away from what they perceived as the industrialization or exploitation of nature while attempting to infuse emotional responses and religious fervor into nature, beauty, fear, love and everyday life.
Where Was It Generally Located?
The Romantic Movement began in Western Europe, mostly in England and Germany.
The stronghold of Romanticism was located in these two countries rather than in the countries of the so-called "Romance languages," Italy, Spain, and France. Romanticism eventually spread throughout the world and still exists, in some forms, today.
Important Influence of the Romantic Movement
Considered the most important figure during the Romantic Movement, Johann Wolfgang von Goethe's first novel was "The Sorrows of Young Werther" published in 1774.
Other important dates that are attributed to the Romantic Movement are 1798, the year the "Lyrical Ballads" by Wordsworth and Coleridge was published and 1832, the year of "Hymns of the Night" by Novalis was published. Other influential artists included poets William Blake, Lord Byron, Percy Bysshe Shelley and John Keats. Also considered Romantics were Mary Shelley, and Emily and Charlotte Bronte.
The Romantic Movement and Revolutions
The Romantic Movement is partially credited with assisting with the thoughts behind the American and French revolutions.
It was these revolutions that coordinated national pride with newfound feelings of liberty, expression of oneself, and freedom.
Imagination and Nature
Reason was out, and imagination was in.
Romantics' power of imagination was now equivalent to nature, which was considered the ultimate power. Imagination was considered active and vital to the creation of art itself. Nature was a work of art itself to Romantics, the ultimate work of art. The imagination that created nature was the divine imagination. Nature was organic, not scientific. The universe, by Romantics, was no longer seen as a machine, the popular industrialized viewpoint of the time.
Coming Together of Opposites
Romantics did not necessarily want to completely disregard reason.
They wanted to merge reason with feeling through imagination. Art being the byproduct of the imagination. They wanted to bypass appearances, steer people away from what looks reasonable to what feels reasonable.
What to Look for in Art from the Romantics
Romantics tried to replace language with symbols.
They believed symbols were more important than language because the interpretations were greater. Symbols were therefore allowed to create myth, because there was always more than one suggestion given within any symbol.