Symbolism in Romantic Poetry

Romantic poetry focuses on emotion.Romantic poetry focuses on emotion.

Romanticism in poetry emerged in reaction to various ideals that came with the Age of Enlightenment, beginning towards the end of the 18th century. A form of poetry that emphasizes the importance of emotion, over reason, romantic poetry is generally characterized by an interest in the supernatural and an affinity with nature. This form of poetry revolves around the use of symbolism to convey meaning and emotion.

Manifestation of The Divine

Symbolism follows the view that the universe in which we are contained and the nature that surrounds us, holds a secret and invisible presence of the divine. This is the belief that every natural object is therefore looked at as a physical manifestation of the divine mind, a nature that represents God. In Romantic poetry, it is the poet's goal to produce a mythic interpretation of the world using symbols.

Deeper Meaning

The symbol is generally seen as a word or phrase that indicates an object or event which in turn allows us to see something else, has a deeper meaning beyond itself. For example, red gives us a color that connotes passion just as a rose connotes love. Symbols can be conventional like the rose while others might be deeply personal and not universally understood. The symbol is not always obvious or specific in Romantic poetry but is effectively suggestive and sometimes, evocative.

Demonstration of the Infinite

Symbolism for Romantic poets is used to interpret a mythic and divine world, to show and support the idea that the universe manifests a divine presence. Romantics have described symbolism as a way to show the infinite through the temporal. Symbolism in romantic poetry is a way to show the divine through words describing objects of nature.


A physical object can be seen as a manifestation of a divine force and a spiritual presence. This can happen if that object is rightly looked at and correctly perceived. According to the famous Romantic poet, Coleridge, the part of the human mind that is capable of such a perception is the imagination. It is the separation of our imagination from our understanding that allows this transcendence from the object to the divine.

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About the Author

Angeliki Coconi started writing in 1999 with the theater comedy "Loop," produced in Athens. In 2001 she wrote and produced another comedy, "Modern Cinderella." In 2006 she was awarded a Master of Science in literature from the University of Edinburgh. In 2009 Coconi obtained the Postgraduate Certificate in Screenwriting from Napier University of Edinburgh.

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